Red Crested Trio Bangle
By
yarbie
75
$
40
Of A
Kind
Kind
28
Sep
2011
As you start stocking up on Fair Isle sweaters and thick wool socks, you probably ought to pick up a knit for your wrist as well. This amazing bangle combines color and texture: dark-as-night black cashmere, speckled brown tweed, and tomato red fuzzy angora. It’s sort of like Pat the Bunny for big girls—except that the patch of color adds the perfect element of surprise to an outfit in the way a touch-and-feel book never did.
What to know: Made of cashmere, tweed, and angora; measures 1 inch tall; opening has a 7 ½-inch circumference.
What to know: Made of cashmere, tweed, and angora; measures 1 inch tall; opening has a 7 ½-inch circumference.
Meet The Designer
yarbie
Elizabeth Yarborough had a path—or so she thought. She earned a masters degree in writing and, following that, was lucky/talented enough to land a coveted job in book publishing. “I thought I was doing my dream, and then I realized that the corporate world was just so stifling to me,” she explains. “I had a sort of creative job, but it didn’t satisfy me at all. I was so starved creatively.”
What could have been a quarter life crisis led her, instead, to fall into her new career almost immediately. “I spent a month wondering and wondering what to do. Then one day I woke up and took myself to the jewelry district in New York and bought all these supplies. I already knew on that very first day that I was going to turn it into a business. I couldn’t sleep for three full nights. It was the weirdest experience of my life,” Elizabeth recalls.
The evolution of her line, which launched in 2006, happened just as naturally. Orders from Opening Ceremony and Colette came quickly, and, though she started out drawing heavily from upholstery materials—having visited many trimming stores in North Carolina with her mom, an antiques collector, when she was growing up—her bold, fuzzy yarn-wrapped bangles just took. “I kept coming back to them. I knew I had to use yarn in some way—I had been knitting since I was a little girl and have always been absolutely dazzled at the variety of colors and textures of yarn,” she explains. Running out of concepts and combinations is a non-issue, she says. There’s only one hold-up: She can only wear so many at once.
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Behind The Scenes
Elizabeth Takes Us on a Color Tour of SF
Elizabeth Yarborough, the woman behind the woven-yarn bangles of Yarbie, thinks that color is, well, nothing short of magical. “I’m all about the interplay of colors and how emotionally we connect to that. And that never gets old to me,” the charming San Francisco dweller with a Southern drawl explains. “I’ve been doing this now for years, and colors never fail to dazzle me every single day.” Bonus: This is one source material that it’s pretty hard not to encounter everywhere. Here’s what made an impact over the course of one Saturday. “All of my Saturdays begin at the historic Ferry Plaza Farmers Market. It’s an explosion of color, and the Bay Area farmers handle their produce like works of art.” “The Blue Bottle Coffee stand there is always a mob scene, but it’s worth the wait. It’s the best coffee in the world, and I adore the bright blue logo.” “Long walks are another Saturday tradition. This is a favorite perch in my neighborhood where I’m always sure to find a flock of the legendary wild parrots of San Francisco [photographed here by Ingrid Taylar]. They are a riot this time of year.” “I am in love with primary colors. Mondrian used them to reflect the basic order of the world, and they are a great starting point when I’m designing something new. This edible art is from the rooftop café at the SFMOMA.” “Finally, my favorite stretch of waterfront. The Golden Gate Bridge is such an icon, but when it’s just outside your window, it’s an especially friendly sight.”
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Elizabeth Yarborough Hits the Books
Before Elizabeth Yarborough took up full-time jewelry making, she worked in publishing in NYC and, no surprise, has stacks and stacks of books threatening to overtake her San Francisco apartment. Though we’ve all been told it’s the insides that count, Elizabeth has a soft spot for killer covers, too, and these are works that she thinks deliver a one-two punch. “These are a few of my favorite vintage paperbacks. As much as I treasure my books, I beat them up pretty badly, turning them inside out and scribbling all over the margins.” “Super Sad True Love Story was my favorite read of 2010, and I’m also crazy about the cover. It was designed by the amazing Rodrigo Corral, who also designed the cover for A Million Little Pieces and the Chuck Palahniuk novels, among many others. I saw him give a lecture when I was 23 and have followed his work ever since.” “Edna St. Vincent Millay has been my favorite poet since I was 15, when I first read “What Lips My Lips Have Kissed, And Where, And Why.” This early edition from 1934 belonged to my grandmother, whom I never knew. She was exactly my age the year it was published. I discovered it among her things this past summer, and I love imagining her reading it and loving it as I do now.” “I love the art of book-binding, and this is one of many treasures that I found at the Strand in New York. It’s a little book of antique endpapers, which are the colorful papers that appear on the insides of hardcover books. These patterns go back to the 1500s and were hand-stenciled in fantastic colors or stamped with wood blocks or engravings. They are a true lost art.”
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Elizabeth Yarborough Wears Our Bangle Like a Pro
According to Elizabeth Yarborough, it’s possible to develop a bangle problem, wherein you want to stack on so many bracelets at once that you run out of arm room (and possibly lose interest in owning long-sleeve shirts). Of course, the version she made for us—incorporating rich black cashmere, earthy brown tweed, and tomato-red angora—can also be worn all by itself to great effect, too. Here, she shows us how it’s done. Try it at home. Score one of her ridiculously cozy creations—exclusive to Of a Kind!—here. “Worn doubled-up or tripled up, these bangles create a cool, Rubik’s Cube look.” “This graphic cream and black top is a great backdrop. I love a neutral color palette with a single bright pop of color.” “The bangle’s red patch livens up this classic nautical look. And I like all the lines and angles—the way the stripes intersect with the stacked bangles.” “Color-blocking with neon makes a high-energy statement—and honestly, just makes me happy.” “Here is the bangle dressed down. This casual flannel shirt brings out the earth tones for an outdoorsy look.” “…And here is the bangle dressed up. It is timeless and ultra-feminine worn with a full brocade skirt and a sweet Peter Pan collar.” “Capes and shawls free up the forearms—perfect for bangle-stacking.”
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