Get a Load of the Communal Jewelry Studio Elizabeth Thompson Created
“We are a tribe that sees the beauty in small things,” says Elizabeth Thompson, the hyper-talented jewelry designer behind Elizabeth Knight, of her clan of 13 like-minded makers at the open-24/7 workspace FluxWork Studio, which she founded in 2008 in Greenpoint, Brooklyn. What do you get if you’re part of Elizabeth’s posse? A bench—i.e., the jewelry-world equivalent of a cubicle—and access to come-one-come-all workspaces for tackling projects like grinding, polishing, and soldering. Go on—take a look around.
“Many people don’t know jewelers’ benches are raised so that one can sit eye-level with their project. Making jewelry is a very close, intimate experience that requires an extreme eye for detail. Often I find that working in this way can be very meditative and calming. I love to work by my favorite window that gets the best sunlight throughout the day.”
“These are my girls. How I love them. On the left is Emma—who was an intern for the summer—working at the soldering table with my assistant, Nina, on the right.”
“In December, we had a wildly successful event with Jean-Noel from Top Notch Faceting and his partner, Dale. The pair came to New York to discuss the process of ethically mining stones in Africa and to present stunning stones cut by Jean himself. Jewelers from New York, Philadelphia, and across the East Coast came to FluxWork to hear Jean and Dale speak. It was a sincere pleasure to host these guys at the studio and was very rewarding to have the support from a wide community of jewelers.”
“One of my many boxes of treasures. Texture, color, and pattern from natural objects have always been my inspiration. You can find small collections, just like this, all around the studio.”
“Working at the soldering bench is always a thrill—the powerful rush from transforming and fusing metal can make a jeweler want to consider being an alchemist. We have a few different tank set-ups at FluxWork, providing different combinations of oxygen, acetylene, and propane gas. Each option allows us to control the heat and metal in a specific way.”
“This was an awesome find on Bedford Avenue! While meandering to the studio, I cruised a record selection laid out on the sidewalk. When I set my eyes on Patti, I knew I wasn’t going to leave her there—this is my very first Patti Smith record. Music is a big deal in the studio. When I am in the studio alone, I turn to my favorite music blog, Left As Rain.”
“This is the grinding wheel, the machine we use to take down large sprues from our castings. You must keep a focused eye on the wheel as it removes metal—and fingernails—very quickly. This is how I look when I am in the zone.”
Select photos courtesy of Jacob Pritchard.